Furthermore, the accuracy of those predictions is improved with the inclusion of physiological cues-skin conductance and heart rate. Akin to our previous findings, we will show that a significant part of the listeners' reported emotions can be predicted from a set of six psychoacoustic features-loudness, pitch level, pitch contour, tempo, texture, and sharpness. Second, we evaluate the extent to which peripheral feedback in music can account for the predicted emotional responses, that is, the role of physiological arousal in determining the intensity and valence of musical emotions. First, we focus on the emotions experienced rather than perceived while listening to music. In this article we extend our previous investigations in two aspects. In support of this claim, we have previously provided evidence that spatiotemporal dynamics in psychoacoustic features resonate with two psychological dimensions of affect underlying judgments of subjective feelings: arousal and valence. We sustain that the structure of affect elicited by music is largely dependent on dynamic temporal patterns in low-level music structural parameters.
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